
BIOGRAPHY
LEVEL
GENRES
PUBLISHING COMPANY
Contact
P.R.O.
INSTRUMENTS
INFLUENCES"Tom Waits, U2, my mom, Ben Harper, Aziza A, Etta James, Mrs. Janoff's English class, Martin Sexton, Joni Mitchell, Soular System, Ani DiFranco, NPR, Ayn Rand, Janis Joplin, the maintenance guy at my crappy secretary job when I first moved to Nashville, Wayne Hall, Murphy's Loft, Waffle House, Billy Bragg, The Plant Formerly Known as Prince, Prince, Amos Lee, Amy Correia, Bill Withers, Damien Rice, Patty Griffin, coffee, Radiohead, coffee, Regina Spektor, coffee, coffee, Amy Steinberg, Mia Zepeda, Dung Nguyen, random acts of kindness, The Beatles, The Boss (mainly just Nebraska), Ben Folds (who thinks I sound like the Pretenders, which is fine), Chris Isaak, Labyrinth, Fraggle Rock, Lord Alfred Tennyson, Bonnie/Sheryl/Alanis/Tori/Jewel/ any-other-female-artiste-that-no-girl-rocker-wants-to-admit-to-in-order-to-seem-completely-and-totally-original, Colleen McFarland, Caroline Brewer, Feist, Juno, exes, David Bowie, Cecilia the Band, anyone who cuts across the grass, Jed Shoemaker, Siesta Key Beach, Threadless, David Gray, the windshield I cracked in half, Fiona Apple, Jeff Buckley, Leonard Cohen, Mitch Hedberg, Ray Charles, Lightnin' Hopkins, rain when I'm working, A Love Song for Bobby Long, Sante Fe, the red Mustang (rental), Peabody Shoe Repair, Ryan Adams, Vienna Teng, kettle corn, Elmer's Glue, Pete's Candy Store, Nirvana, the White Stripes, Iron and Wine, Wilco, any and all blues (yay blues!), local bands, people who like local bands, booking guys who are human, humans who experiment, odd strangers, stranger friends, the road, and a couple of skeletons in the closet."
DAY JOB
I AM INTERESTED IN
I WRITE:
SONG CUTSRebecca Hosking ("When You Walked Away" - Co-write)
Three albums and two EP's - Self. br> Tidewaters EP br> Rivers + Roads br> Under This Yellow Sun br> Little Stories EP (Digital Only) br> "Hope For Me" Christmas Single br> The Scorpion in the Story br>
SONG PLACEMENTS"Looking for Wisdom" used under main titles of independent film The Audition, directed by Scott Kurchak. (Released 2006)
Wrote soundtrack for original play The Ghosts are in the Water, directed by Tessa Meier. Written by Tessa Meier and Sarah Bond. (Philadelphia Fringe Festival, 2004)
AWARDS & ACCOLADESSelection: 2008 Florida Music Festival Indie Film Jam ("Cold War")
Recipient -- 2008 ASCAPlus Award
Recipient -- 2007 ASCAPlus Award
Cashville 411: Top 10 Tracks of 2007 ("Caged Bird")
Finalist: 2007 Unisong International Songwriting Contest ("Cold War")
Best Pop Video – 2006 Indie Gathering (“Rivers + Roadsâ€)
Selection: 2006 Flint Film Festival ("Rivers + Roads")
Recipient -- 2006 ASCAPlus Award
Recipient -- 2005 ASCAPlus Award
Finalist -- 2005 Unisong International Songwriting Contest ("The Poster Child")
OTHER SONG OR ALBUM CREDITS"Hope for Me" (Holiday Single - Single Only) (Glass Mountain Records, 2007).
“Mr. Bickle” from Wooden Music for a Plastic World. (Duet with Jeff Kuykendall. In Production, 2008)
“Pale Sorghum Lo-Fi Blues” from Pale Sorghum Lo-Fi Blues (Duet with D.W. DeHart. DeHorn Boys Music, 2007)
Videos:
Random Acts of Music (Henry J Productions, 2009)
Woodsongs Old-Time Radio Hour: Season 5 (PBS, 2008.)
Cold War (music video) (Glass Mountain Records, 2007)
Tori Sparks with Producer David Henry: The Making of Under This Yellow Sun (Glass Mountain Records, 2007)
Behind The Scenes: Screen Printing Madness with Tori Sparks (Glass Mountain Records, 2007)
Rivers + Roads (music video) (Platinum Plus Records, 2006)
Compilation Discs
Paste Magazine New Music Sampler (Paste Media Group, 2009)
Campaign to Save Paste (Digital Only) (Paste Media Group, 2009)
Project Cure 2009 Compilation (Project Cure, 2009)
Paste Magazine New Music Sampler (Paste Media Group, 2008)
Country Vol. 2 (double-disc) (Universal Music France, 2008)
KSYM-FM Camp Victory Compilation for the Troops (SCOOP KSYM-FM, 2007)
MSMF Multiple Sclerosis Music Fest 2006 Compilation CD (Montel Williams MS Foundation, 2006)
Canadian Music Week Best Unsigned Artists of 2006 (Tunetank, 2006)
A Taste of Triple A #16 Compilation (A Taste of Triple A, 2006)
Officially Unofficial Bootlegs:
Shakin' in My Bootlegs, Vol. 1 (Self-Released, 2007)
Shakin in My Boolegs, Vol. 2 (Glass Mountain Records, 2008)
In Nashville, most successful songwriters have a fairly short run. On hit, one year, two years, five years. Occasionally, we get one whose career approaches the length of a real career or, more often, one who has a few years success, then slips into oblivion, only to emerge again for another brief era of hit-making.
She speaks softly, not unlike the way she sings --soft, soulful passages, almost like secrets to the closest of friends --punctuated by bursts of exaltation. It's much like the span of emotion in her work, and in her new record, Balm in Gilead, which veers from the pure, naked heartbreak of "Bonfires" to the elation of "Old Enough," to the beautiful "Wild Girl," which celebrates the 21st birthday of her daughter, while simultaneously reflecting on the unchained fervor of her own wild days.
As singer/songwriters go, Robert Earl Keen doesn't seem like the kind of artist who could honestly be accused of sloth. But despite a catalog choked with characters and conversations pulled from a colorful life, he makes that very claim on "Something That I Do," a track where he brags of his ability to not let work get in the way of an otherwise pleasant afternoon.
Townes Van Zandt: Facets, Faults & Fractures
It's 10 o'clock at night on an abandoned Music Row. The year is 1985. In a third-floor office in an old house that serves as the offices for the Oak Ridge Boys' Silverline/Goldline Music Publishing, Steve Earle brings the chair he's leaning back in down hard, flipping his hair out of his eyes for emphasis.