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Sweetwater Rose

Nashville, Tennessee
32 Years Old
Band, Singer-Songwriter
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BIOGRAPHY
WEETWATER ROSE is a group of three incredibly talented singers and songwriters from Nashville and beyond. Each have their own beautiful unique voice, but it is their chemistry together that really makes magic.

Their beautiful harmonies and melodies will take you back to the 60’s , but with a very
southern jam edge of freshness that reaches into a new realm of sound. They have been
tagged the “Country Music Sirens”, from one particular song on the CD, “Dyin to Feel Alive”, that they wrote together for this project. As their new fanbase grows, they have been compared to: Crosby, Stills, Nash & Young, Little Feat, Poco, a little Patsy Cline, Linda Ronstadt, and finally vintage and edgy. “We could not ask for better compliments”.

They have been in the House of Blues Studio, Studio 19, and most recent at the Gayden Farm to record and Coat of Arms Studio. “We keep growing together and changing and wanted to reflect all that in the new songs that we are writing together. Mac Gayden is producing and his influence is definitely in the mix, we are very happy with the results. A little rock edge, a little of Mac’s Barefoot Jerry days thrown in, and country as we know it to be. The musicians are all great: Brad Pemberton, Sam Bush, Dan Dugmore, Pete Finney, Steve Latanation, Byron House, Mac Gayden, Scott Vestal. Thanks to all of you guys and especially Andy and Jesse”
LEVEL
semi-pro
Contact
Management: mgayden@united.net
P.R.O.
BMI
I AM INTERESTED IN
in networking with songwriters
in pitching songs to tv
in getting a record deal
in getting a publishing deal
I WRITE:
For a living

I Also Write:
by myself
with others
for myself

I Prefer To Write:
lyrics
melody
music
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Behind The Song: “Ain’t Nothing Like the Real Thing”

Marvin Gaye and Tammi Terrell sang, it has been remarked, like lovers, although they weren’t. Similarly, Nickolas Ashford and Valerie Simpson, the team behind one of Marvin and Tammi’s most enduring hits, “Ain’t Nothing Like the Real Thing,” wrote as if under the influence of amatory forces; even if, in the spring of 1968,

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