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It was pretty slow. I mean, I played [the songs] on acoustic guitar for a long time, but I didn’t know how to transfer them to the other format. I didn’t want it to be a solo acoustic record. I wanted there to be bells and whistles and full band arrangements even if I didn’t want it necessarily to be electric guitar rock....
“It’s always slightly confounding to me whenever Vetiver is depicted with the same tropes that people have read off of press sheets,” says Andy Cabic. “The same sort of milestones get mentioned but then no one really digs to find out that there are those other things going on.”
Spoon: The Power of Transference
In 1995, Spoon were often dubbed “the next Pixies.” The tag never quite fit, but the two did share a love for writing glorious pop songs and then shrouding them with walls of noise and mystery. Over 15 years, the Austin, Texas band have survived lineup shuffles and early record label neglect, finding their signature style with 2001’s Girls Can Tell and quietly building one of the strongest rock catalogs of the decade.
Liz Rose: Co-Writer to the Stars
Nashville is a co-writing town, which usually means that with every new superstar/songwriter who turns the music world on its ear, there comes at least one nonperforming songwriter. Clint Black had his Hayden Nicholas. Garth Brooks had his Kim Williams. Alan Jackson had his Jim McBride. Taylor Swift has her Liz Rose.