Subscribe

Shannan Tipton-Neese

SESAC
PRO Representative
Nashville, Tennessee
industry profile >
POSITION
Director Writer Publisher Relations
COMPANY DETAILS
SESAC is a performing rights organization dedicated to signing quality writers over qauntity! Check out our website for more information, www.sesac.com
WEBSITE
www.sesac.com
ARTISTS/WRITERS I REPRESENT
Monty Powell, Sam and Annie Tate, Brice Long, Rob Hatch, Jim Femino, Hayes Carll, Ryder Lee, Roxie Dean, Matt Stillwell, Kim Tribble, Chris Hennessee, to name a few...
GENRES I NEED OR REPRESENT
All Genres
GROUPS & ASSOCIATION INVOLVEMENT
SOLID alumni, CMA, NARAS, ACM
I AM INTERESTED IN
in finding new contacts
in career opportunities
in new ventures businesses
personal >
WHEN I'M NOT WORKING
I am golfing, gardening, and hanging out with friends.
my network >
     
   

>>

Cadillac Sky

Cadillac Sky should be a lot more tired. It’s early Saturday afternoon at MerleFest and the band–Bryan Simpson, Matt Menefree, Andrew Moritz, Ross Holmes and newest addition David Mayfield–has already logged two performances on the day....

>>

Sessions: David Bazan

It was pretty slow. I mean, I played [the songs] on acoustic guitar for a long time, but I didn’t know how to transfer them to the other format. I didn’t want it to be a solo acoustic record. I wanted there to be bells and whistles and full band arrangements even if I didn’t want it necessarily to be electric guitar rock....

>>

Sessions: Vetiver

“It’s always slightly confounding to me whenever Vetiver is depicted with the same tropes that people have read off of press sheets,” says Andy Cabic. “The same sort of milestones get mentioned but then no one really digs to find out that there are those other things going on.”

>>

Behind The Song: “Ain’t Nothing Like the Real Thing”

Marvin Gaye and Tammi Terrell sang, it has been remarked, like lovers, although they weren’t. Similarly, Nickolas Ashford and Valerie Simpson, the team behind one of Marvin and Tammi’s most enduring hits, “Ain’t Nothing Like the Real Thing,” wrote as if under the influence of amatory forces; even if, in the spring of 1968,

writer's block >