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Robert Mallory

Birmingham, Alabama
29 Years Old
Singer-Songwriter, Melodist, Songwriter
writer profile >
"if life is what we choose, my choice is you"
LEVEL
aspiring
GENRES
Singer/Songwriter, Christian
Contact
Management: n/a
Publishing: n/a
Label: n/a
Music Supervisor: n/a
Booking: n/a
Administrative: Robert Mallory
INSTRUMENTS
acoustic guitar / electric guitar / harmonica / vocals
INFLUENCES
radiohead /weezer /smashing pumpkins /anberlin /arcade fire /jared anderson /chevelle /delerious /our lady peace /bruce springsteen /cake /reliant k /the beach boys /ben kweller /hillsong united /nirvana
I AM INTERESTED IN
in networking with songwriters
in pitching songs to artist
in pitching songs to tv
I WRITE:
When I have time

I Also Write:
by myself

I Prefer To Write:
melody
getflash
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Cadillac Sky

Cadillac Sky should be a lot more tired. It’s early Saturday afternoon at MerleFest and the band–Bryan Simpson, Matt Menefree, Andrew Moritz, Ross Holmes and newest addition David Mayfield–has already logged two performances on the day....

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Sessions: Vetiver

“It’s always slightly confounding to me whenever Vetiver is depicted with the same tropes that people have read off of press sheets,” says Andy Cabic. “The same sort of milestones get mentioned but then no one really digs to find out that there are those other things going on.”

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Behind The Song: “Ain’t Nothing Like the Real Thing”

Marvin Gaye and Tammi Terrell sang, it has been remarked, like lovers, although they weren’t. Similarly, Nickolas Ashford and Valerie Simpson, the team behind one of Marvin and Tammi’s most enduring hits, “Ain’t Nothing Like the Real Thing,” wrote as if under the influence of amatory forces; even if, in the spring of 1968,

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Spoon: The Power of Transference

In 1995, Spoon were often dubbed “the next Pixies.” The tag never quite fit, but the two did share a love for writing glorious pop songs and then shrouding them with walls of noise and mystery. Over 15 years, the Austin, Texas band have survived lineup shuffles and early record label neglect, finding their signature style with 2001’s Girls Can Tell and quietly building one of the strongest rock catalogs of the decade.

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