Clifton, Colorado
26 Years Old
Lyricist

writer profile >

"We are ugly but we have the music"

BIOGRAPHY

My book of poetry, "Fascists, Fanatics & Escapists", available at www.gjredpill.org. In April '09 I won the Mark Fischer Poetry Award for "Thirty Years Till Birth", one of the poems from this book. I am currently focusing on recording an album to be released independently. I won the 2009 American Songwriter Lyrics Contest Grand Prize, thank you very much. My poetry is available online at Thieves Jargon, Madswirl, and Opium Poetry 2.0. My fiction can be found in The Delinquent out of the UK and my non-fiction has appeared in The Denver Voice, The Red Pill and Cuntastic. I record music under the moniker Watermelon.

LEVEL

semi-pro

GENRES

Alternative Country, Folk, Experimental

PUBLISHING COMPANY

Confluence Media Collective, independent publishing company

Contact

Label: American Freakout
Administrative: Connie Murillo

P.R.O.

ASCAP

INSTRUMENTS

acoustic guitar / electric guitar / vocals

I AM INTERESTED IN

in pitching songs to artist
in pitching songs to tv
in getting a record deal

I WRITE:

For a living

I Also Write:
by myself
with others
for myself
for others

I Prefer To Write:
lyrics
melody

experience >

AWARDS & ACCOLADES

-Mark Fischer Poetry Prize, 2009 -Grand Prize: 2009 American Songwriter Lyrics Contest

OTHER SONG OR ALBUM CREDITS

When I was in New Orleans volunteering after Katrina I wrote and recorded an album on an ancient tape recorder I found in the school we used for volunteer housing. I had very little time to do this, so all of the songs are first takes and very demo-ish, but another volunteer, Bob Makela, directed a video for the song "Heart of Darkness". I only gave the album to my friends and have no further plans for it or any of the songs.

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Cadillac Sky

Cadillac Sky should be a lot more tired. It’s early Saturday afternoon at MerleFest and the band–Bryan Simpson, Matt Menefree, Andrew Moritz, Ross Holmes and newest addition David Mayfield–has already logged two performances on the day....

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Sessions: David Bazan

It was pretty slow. I mean, I played [the songs] on acoustic guitar for a long time, but I didn’t know how to transfer them to the other format. I didn’t want it to be a solo acoustic record. I wanted there to be bells and whistles and full band arrangements even if I didn’t want it necessarily to be electric guitar rock....

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Sessions: Vetiver

“It’s always slightly confounding to me whenever Vetiver is depicted with the same tropes that people have read off of press sheets,” says Andy Cabic. “The same sort of milestones get mentioned but then no one really digs to find out that there are those other things going on.”

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Spoon: The Power of Transference

In 1995, Spoon were often dubbed “the next Pixies.” The tag never quite fit, but the two did share a love for writing glorious pop songs and then shrouding them with walls of noise and mystery. Over 15 years, the Austin, Texas band have survived lineup shuffles and early record label neglect, finding their signature style with 2001’s Girls Can Tell and quietly building one of the strongest rock catalogs of the decade.