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Mat Kearney

Tennessee
Singer-Songwriter, Lyricist, Vocalist
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"breathe in breathe out"
BIOGRAPHY
In a music world longing for a new voice, Mat Kearney represents the singer-songwriter for the 21st century music lover. While keeping an acoustic base, Kearney incorporates a wide range of influences that color his songs with unique textures. At the same time, Kearney captures the lyrics that stir the deepest universal emotions.
LEVEL
professional
PUBLISHING COMPANY
Columbia, major publishing company
P.R.O.
ASCAP
INSTRUMENTS
piano / guitaracoustic / guitarelectric
INFLUENCES
Johnny Cash, The Verve, John Lennon, Coldplay, Bob Dylan, U2
I AM INTERESTED IN
in co writing in person
in pitching songs to tv
I WRITE:
For a living

I Also Write:
by myself
for myself

I Prefer To Write:
lyrics
melody
music
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SONG PLACEMENTS
Kearney's songs have appeared on the television series: Grey's Anatomy, Kyle XY, The Unit, Without A Trace, Laguna Beach, The Hills, Bones, Jericho, Friday Night Lights, Wildfire, What About Brian, South Beach, 8th
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Cadillac Sky

Cadillac Sky should be a lot more tired. It’s early Saturday afternoon at MerleFest and the band–Bryan Simpson, Matt Menefree, Andrew Moritz, Ross Holmes and newest addition David Mayfield–has already logged two performances on the day....

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Sessions: David Bazan

It was pretty slow. I mean, I played [the songs] on acoustic guitar for a long time, but I didn’t know how to transfer them to the other format. I didn’t want it to be a solo acoustic record. I wanted there to be bells and whistles and full band arrangements even if I didn’t want it necessarily to be electric guitar rock....

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Sessions: Vetiver

“It’s always slightly confounding to me whenever Vetiver is depicted with the same tropes that people have read off of press sheets,” says Andy Cabic. “The same sort of milestones get mentioned but then no one really digs to find out that there are those other things going on.”

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Behind The Song: “Ain’t Nothing Like the Real Thing”

Marvin Gaye and Tammi Terrell sang, it has been remarked, like lovers, although they weren’t. Similarly, Nickolas Ashford and Valerie Simpson, the team behind one of Marvin and Tammi’s most enduring hits, “Ain’t Nothing Like the Real Thing,” wrote as if under the influence of amatory forces; even if, in the spring of 1968,

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