Subscribe

JOE HASH

NASHVILLE, Tennessee
Songwriter
writer profile >
"She'd rather ride that itty-bitty machine / Than watch her dreams go up in gasoline"
BIOGRAPHY
Joe Hash was born in Ohio, but his family roots are in the South. So are most of his musical influences.

Whether working solo or collaborating, this singer-songwriter is steadily translating those influences into a solid catalog.

In his hands, familiar country themes are transformed into something fresh and moving. Just listen to "Stay" or "Change The Things You Can." Veteran Nashville hit-writer Richard Fagan has called "Dynamite Shack" a masterpiece.

Happily married to a Canadian beauty who joins him onstage every now and then, Hash divides his writing time between Toronto and Nashville.
LEVEL
semi-pro
GENRES
Country, Country, Country
PUBLISHING COMPANY
Joe Hash, I own my own publishing
Contact
Administrative: JOE HASH
P.R.O.
BMI
INSTRUMENTS
acoustic guitar / keyboard / vocals
INFLUENCES
Al Anderson, Chet Atkins, Matraca Berg, Johnny Cash, Steve Earle, Tommy Emmanuel, J. R. Hubbard, John Knowles, Gordon Lightfoot, D. P. MacManus, Bruce Michael Miller, Roger Miller, Ben Murray, Tim Nichols, Roy Orbison, Gretchen Peters, Tom Petty, John Prine, Shel Silverstein, Jeffrey Steele, James Taylor, Lucinda Williams, Craig Wiseman, Dwight Yoakam
DAY JOB
advertising creative director/writer
I AM INTERESTED IN
in co writing online
in co writing in person
in networking with songwriters
in pitching songs to artist
in pitching songs to tv
in getting a publishing deal
I WRITE:
It's my second job

I Also Write:
by myself
with others
for myself
for others

I Prefer To Write:
lyrics
melody
music
experience >
AWARDS & ACCOLADES
Top 20, 2008 Durango Song Festival Competition; Finalist, 2008 Great Lakes Songwriting Competition; Honorable Mention, 2009 Songdoor Competition
getflash
my network >
     
   
blog >

>>

Legends: Bobby Braddock

In Nashville, most successful songwriters have a fairly short run. On hit, one year, two years, five years. Occasionally, we get one whose career approaches the length of a real career or, more often, one who has a few years success, then slips into oblivion, only to emerge again for another brief era of hit-making.

>>

Legends: Robert Earl Keen

As singer/songwriters go, Robert Earl Keen doesn't seem like the kind of artist who could honestly be accused of sloth. But despite a catalog choked with characters and conversations pulled from a colorful life, he makes that very claim on "Something That I Do," a track where he brags of his ability to not let work get in the way of an otherwise pleasant afternoon.

>>

Townes Van Zandt: Facets, Faults & Fractures

It's 10 o'clock at night on an abandoned Music Row. The year is 1985. In a third-floor office in an old house that serves as the offices for the Oak Ridge Boys' Silverline/Goldline Music Publishing, Steve Earle brings the chair he's leaning back in down hard, flipping his hair out of his eyes for emphasis.

>>

Lyle Lovett: It Just Comes Natural

If the term "Americana" had not been coined, radio programmers, journalists and anyone else charged with sticking labels on music would still be pondering how to define Lyle Lovett's singular style.

writer's block >