Brooklyn, New York
28 Years Old
Singer-Songwriter

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BIOGRAPHY

http://www.myspace.com/jennyowenyoungs
http://www.facebook.com/jennyowenyoungs
http://www.youtube.com/jennyowenyoungs

Jenny Owen Youngs is a lot of things, but disingenuous is not one of them. Not-so-simply put, she's a feisty, hypersensitive, disease-free singer-songwriter and reformed Girl Scout who politely requests that you make room on your lap for her songs. Raised in the eastern deciduous forests of northwest New Jersey, our heroine spent her youth engaged in such rural activities as rock-skipping, bear-chasing, and waterfall-diving. She also logged countless hours spinning her mother's copy of Revolver and learning every last word to Jesus Christ Superstar. Jenny seriously dated both the flute and the tuba before exchanging enthusiastic vows with the guitar at the tender age of thirteen. She adores sharks - a residual fascination left over from teenage ambitions toward a career in marine biology. Jenny is also a Space Camp survivor. Ask her about it sometime.

GENRES

Singer/Songwriter

Contact

Publishing: Chrysalis Music
Label: Nettwerk
Booking: The Agency Group

INSTRUMENTS

acoustic guitar / vocals

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Cadillac Sky

Cadillac Sky should be a lot more tired. It’s early Saturday afternoon at MerleFest and the band–Bryan Simpson, Matt Menefree, Andrew Moritz, Ross Holmes and newest addition David Mayfield–has already logged two performances on the day....

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Sessions: Vetiver

“It’s always slightly confounding to me whenever Vetiver is depicted with the same tropes that people have read off of press sheets,” says Andy Cabic. “The same sort of milestones get mentioned but then no one really digs to find out that there are those other things going on.”

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Behind The Song: “Ain’t Nothing Like the Real Thing”

Marvin Gaye and Tammi Terrell sang, it has been remarked, like lovers, although they weren’t. Similarly, Nickolas Ashford and Valerie Simpson, the team behind one of Marvin and Tammi’s most enduring hits, “Ain’t Nothing Like the Real Thing,” wrote as if under the influence of amatory forces; even if, in the spring of 1968,

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Spoon: The Power of Transference

In 1995, Spoon were often dubbed “the next Pixies.” The tag never quite fit, but the two did share a love for writing glorious pop songs and then shrouding them with walls of noise and mystery. Over 15 years, the Austin, Texas band have survived lineup shuffles and early record label neglect, finding their signature style with 2001’s Girls Can Tell and quietly building one of the strongest rock catalogs of the decade.