Autumn Armor

Brighton, Massachusetts
Band, Instrumentalist, Singer-Songwriter

add writer

send message

writer profile >

"BUUUURRRRRR"

LEVEL

semi-pro

GENRES

Rock , Experimental, Blues

Contact

Management: autumnarmor@gmail.com
Publishing: autumnarmor@gmail.com
Label: autumnarmor@gmail.com
Music Supervisor: autumnarmor@gmail.com
Booking: autumnarmor@gmail.com
Administrative: autumnarmor@gmail.com

INSTRUMENTS

b3 organ / banjo / bass / drums / acoustic guitar / electric guitar / guitsteel / harpsichord / keyboard / pedalsteel / percussion / piano / steel guitar / synthesizers / ukulele / upright bass / vocals

INFLUENCES

LIFE

DAY JOB

musician/teacher/truckdriver

I AM INTERESTED IN

in networking with songwriters
in pitching songs to tv
in getting a publishing deal

I WRITE:

It's my second job

I Also Write:
by myself
with others
for myself
for others

I Prefer To Write:
lyrics
melody
music

experience >

SONG CUTS

Autumn Armor EP recorded by Alan Evans @ Playonbrother Studios, Hatfield, MA
mastered by Jeff Lipton @ Peerless Mastering, Boston, MA

OTHER SONG OR ALBUM CREDITS

We'll be posting all sorts of stuff

my network >

>>

Legends: Bobby Braddock

In Nashville, most successful songwriters have a fairly short run. On hit, one year, two years, five years. Occasionally, we get one whose career approaches the length of a real career or, more often, one who has a few years success, then slips into oblivion, only to emerge again for another brief era of hit-making.

>>

Legends: Rickie Lee Jones

She speaks softly, not unlike the way she sings --soft, soulful passages, almost like secrets to the closest of friends --punctuated by bursts of exaltation. It's much like the span of emotion in her work, and in her new record, Balm in Gilead, which veers from the pure, naked heartbreak of "Bonfires" to the elation of "Old Enough," to the beautiful "Wild Girl," which celebrates the 21st birthday of her daughter, while simultaneously reflecting on the unchained fervor of her own wild days.

>>

Townes Van Zandt: Facets, Faults & Fractures

It's 10 o'clock at night on an abandoned Music Row. The year is 1985. In a third-floor office in an old house that serves as the offices for the Oak Ridge Boys' Silverline/Goldline Music Publishing, Steve Earle brings the chair he's leaning back in down hard, flipping his hair out of his eyes for emphasis.

>>

Q&A With Squeeze's Chris Defford

After practically defining the New Wave genre in the '80s and, with partner Glenn Tilbrook, writing some of the classic pop songs of the late 20th century, Squeeze's venerable co-writer Chris Defford went the solo route, with detours into film scoring and the occasional Squeeze reunion.

writer's block >