
BIOGRAPHY
LEVEL
GENRES
PUBLISHING COMPANY
Contact
INSTRUMENTS
INFLUENCES
DAY JOB
I AM INTERESTED IN
I WRITE:
She speaks softly, not unlike the way she sings --soft, soulful passages, almost like secrets to the closest of friends --punctuated by bursts of exaltation. It's much like the span of emotion in her work, and in her new record, Balm in Gilead, which veers from the pure, naked heartbreak of "Bonfires" to the elation of "Old Enough," to the beautiful "Wild Girl," which celebrates the 21st birthday of her daughter, while simultaneously reflecting on the unchained fervor of her own wild days.
Q&A With Squeeze's Chris Defford
After practically defining the New Wave genre in the '80s and, with partner Glenn Tilbrook, writing some of the classic pop songs of the late 20th century, Squeeze's venerable co-writer Chris Defford went the solo route, with detours into film scoring and the occasional Squeeze reunion.
THE MAGNETIC FIELDS: Psychodandy Noise Solution
Over the years, Stephin Merritt, best known as the songsmith behind The Magnetic Fields, has taken on some ambitious side projects...
VAMPIRE WEEKEND: Embracing Afro-Pop
Even casual indie-rock fans know the song and dance routine by now...