Cheyenne Medders

Nashville, Tennessee
27 Years Old
Songwriter, Producer, Band

add writer

send message

writer profile >

"I was talking to Mars, we were comparing battle scars"

LEVEL

professional

GENRES

Folk, Rock , Country

PUBLISHING COMPANY

Mountains and Fountains (ASCAP), I own my own publishing

Contact

Publishing: cheyenne@cheyennemedders.com
Booking: cheyennemedders@gmail.com
Administrative: cheyennemedders@gmail.com

P.R.O.

ASCAP

INSTRUMENTS

banjo / bass / acoustic guitar / electric guitar / harmonica / keyboard / tambourine / ukulele / upright bass / vocals

DAY JOB

Writer/Producer/Engineer

I AM INTERESTED IN

in co writing in person
in networking with songwriters
in pitching songs to artist
in pitching songs to tv
in getting a record deal
in getting a publishing deal

I WRITE:

For a living

I Also Write:
by myself
with others
for myself
for others

I Prefer To Write:
lyrics
melody
music

experience >

SONG PLACEMENTS

Film: City of Lights: 9 Days in Western Oz (2007 documentary by Patrick Cone) "Rubick's Cube" "Equinox" "...in Jehovah's Light" Film: Mission Lazarus (2009 film by Seth Daggett) "Rubick's Cube"

AWARDS & ACCOLADES

Radio feature: Local Lightning Spotlight 100.1 Nashville - song: "Nicer Things" ---

OTHER SONG OR ALBUM CREDITS

Engineering: James Otto, Billy Dean, Raimah, Fancy Dan Producing: Annie Williams, Red Shepherd, Jule Medders Performed on: Steven Delopoulos Straightjacket

my network >

>>

Legends: Bobby Braddock

In Nashville, most successful songwriters have a fairly short run. On hit, one year, two years, five years. Occasionally, we get one whose career approaches the length of a real career or, more often, one who has a few years success, then slips into oblivion, only to emerge again for another brief era of hit-making.

>>

Legends: Rickie Lee Jones

She speaks softly, not unlike the way she sings --soft, soulful passages, almost like secrets to the closest of friends --punctuated by bursts of exaltation. It's much like the span of emotion in her work, and in her new record, Balm in Gilead, which veers from the pure, naked heartbreak of "Bonfires" to the elation of "Old Enough," to the beautiful "Wild Girl," which celebrates the 21st birthday of her daughter, while simultaneously reflecting on the unchained fervor of her own wild days.

>>

Legends: Robert Earl Keen

As singer/songwriters go, Robert Earl Keen doesn't seem like the kind of artist who could honestly be accused of sloth. But despite a catalog choked with characters and conversations pulled from a colorful life, he makes that very claim on "Something That I Do," a track where he brags of his ability to not let work get in the way of an otherwise pleasant afternoon.

>>

Townes Van Zandt: Facets, Faults & Fractures

It's 10 o'clock at night on an abandoned Music Row. The year is 1985. In a third-floor office in an old house that serves as the offices for the Oak Ridge Boys' Silverline/Goldline Music Publishing, Steve Earle brings the chair he's leaning back in down hard, flipping his hair out of his eyes for emphasis.

writer's block >