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Vickisue Gunderson

Evansville, Indiana
writer profile >
GENRES
Indie Rock
Contact
Booking: veesugee@rock.com
P.R.O.
BMI
INSTRUMENTS
bass / acoustic guitar / electric guitar / vocals
I AM INTERESTED IN
in networking with songwriters
in pitching songs to artist
in pitching songs to tv
I WRITE:
For a living

I Also Write:
by myself
with others
for myself
for others

I Prefer To Write:
lyrics
melody
music
experience >
SONG PLACEMENTS
My God, My Saviour, 2009 written for the film, The Hymnographer myspace.com/Hymnographer
AWARDS & ACCOLADES
Nashvilles Hottest Talent, 2005 Gibson Showcase
OTHER SONG OR ALBUM CREDITS
Jerod Micah & The Hats Stationary Odyssey
my network >
     
   

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Q&A: Bright Eyes

After a brief stint as a solo artist, Conor Oberst has revived Bright Eyes to release The People’s Key, an album that deals with the nature of time, spirituality, and human existence. Also, it’s Rastafarian friendly.

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Sessions: David Bazan

It was pretty slow. I mean, I played [the songs] on acoustic guitar for a long time, but I didn’t know how to transfer them to the other format. I didn’t want it to be a solo acoustic record. I wanted there to be bells and whistles and full band arrangements even if I didn’t want it necessarily to be electric guitar rock....

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Sessions: Vetiver

“It’s always slightly confounding to me whenever Vetiver is depicted with the same tropes that people have read off of press sheets,” says Andy Cabic. “The same sort of milestones get mentioned but then no one really digs to find out that there are those other things going on.”

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Spoon: The Power of Transference

In 1995, Spoon were often dubbed “the next Pixies.” The tag never quite fit, but the two did share a love for writing glorious pop songs and then shrouding them with walls of noise and mystery. Over 15 years, the Austin, Texas band have survived lineup shuffles and early record label neglect, finding their signature style with 2001’s Girls Can Tell and quietly building one of the strongest rock catalogs of the decade.

writer's block >