Subscribe

Rebekah Pulley

St Petersburg, Florida
Singer-Songwriter, Melodist
writer profile >
"magnificently we will float into the mystic"
BIOGRAPHY
Been writing songs since my first G chord...I know a lot more chords now.
LEVEL
professional
GENRES
Singer/Songwriter, Folk, Alternative Country
PUBLISHING COMPANY
Rebekah Pulley, I own my own publishing
Contact
Booking: Steele Management & Booking - brsmgt@tampabay.rr.com
Administrative: rebekah pulley
P.R.O.
BMI
INSTRUMENTS
acoustic guitar / electric guitar / piano
INFLUENCES
Ray Lamontagne, Jenny Lewis, Bob Dylan, Nick Cave, Beatles, Neko Case, The Band, Led Zeppelin, A good book, A good conversation, A late night, Early mornings, Love and hate, A new chord, A new tuning, A new instrument (I own lots of them), Alone time, Crowded places, History, Math, Science, The religion of no religion and All the strays and waifs of society in general.
DAY JOB
musician
I AM INTERESTED IN
in pitching songs to artist
in pitching songs to tv
in getting a publishing deal
I WRITE:
For a living

I Also Write:
by myself

I Prefer To Write:
lyrics
melody
music
experience >
AWARDS & ACCOLADES
2008 -Back To Boogaloo voted as a Best Career Milestone by the editors of Creative Loafing. 2008 - Honorable Mention in American Songwriter magazine for New Mexico. 2007 - Voted Best Singer/Songwriter in Creative Loafing's Readers Poll. 2007 - Rebekah featured on cover of Creative Loafing for top Tampa Bay female musicians. 2007 - 'Songs Of Southern Zen' was the no. 6 CD played on WMNF 88.5 FM for the year. 2006 - 'Songs Of Southern Zen' was the no. 4 CD played on WMNF 88.5 FM for the year. 2005 - Voted as the Best Singer/Songwriter by the editors of the Weekly Planet (now Creative Loafing). 2003 - 'Here In the Real World' chosen as the Best Local Release in The St Petersburg Times. 2002 - Voted as the Best Acoustic Act by the editors of the Weekly Planet (now Creative Loafing).
getflash
my network >
     
   

>>

Cadillac Sky

Cadillac Sky should be a lot more tired. It’s early Saturday afternoon at MerleFest and the band–Bryan Simpson, Matt Menefree, Andrew Moritz, Ross Holmes and newest addition David Mayfield–has already logged two performances on the day....

>>

Sessions: David Bazan

It was pretty slow. I mean, I played [the songs] on acoustic guitar for a long time, but I didn’t know how to transfer them to the other format. I didn’t want it to be a solo acoustic record. I wanted there to be bells and whistles and full band arrangements even if I didn’t want it necessarily to be electric guitar rock....

>>

Sessions: Vetiver

“It’s always slightly confounding to me whenever Vetiver is depicted with the same tropes that people have read off of press sheets,” says Andy Cabic. “The same sort of milestones get mentioned but then no one really digs to find out that there are those other things going on.”

>>

Behind The Song: “Ain’t Nothing Like the Real Thing”

Marvin Gaye and Tammi Terrell sang, it has been remarked, like lovers, although they weren’t. Similarly, Nickolas Ashford and Valerie Simpson, the team behind one of Marvin and Tammi’s most enduring hits, “Ain’t Nothing Like the Real Thing,” wrote as if under the influence of amatory forces; even if, in the spring of 1968,

writer's block >