44 Years Old

writer profile >

LEVEL

semi-pro

GENRES

Christian, Country, Childrens

Contact

Publishing: eva@evawilsonmusic.com
Administrative: eva@evawilsonmusic.com

P.R.O.

BMI

INSTRUMENTS

keyboard / piano

I AM INTERESTED IN

in co writing online
in co writing in person
in networking with songwriters
in pitching songs to artist
in pitching songs to tv
in getting a publishing deal

I WRITE:

It's my second job

I Also Write:
by myself
with others
for myself
for others

I Prefer To Write:
lyrics

experience >

SONG CUTS

Splendorleaf "Why Me, Jesus" "Own Me" "Calling on You" Andrea C Parker "December Rain" "Let Us Pray" "Carpenter's Clue" Stephanie Gay Raymond "Me & Faith Hill" & "Own Me" Benton Stokes~ to be released Taylor Smith ~ to be released Joy 3 Trio ~ to be released

AWARDS & ACCOLADES

"Honorable Mentions in the 2006, 2007, and 2008 SongDoor International Songwriting Competitions"

>>

Legends: Bobby Braddock

In Nashville, most successful songwriters have a fairly short run. On hit, one year, two years, five years. Occasionally, we get one whose career approaches the length of a real career or, more often, one who has a few years success, then slips into oblivion, only to emerge again for another brief era of hit-making.

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Legends: Robert Earl Keen

As singer/songwriters go, Robert Earl Keen doesn't seem like the kind of artist who could honestly be accused of sloth. But despite a catalog choked with characters and conversations pulled from a colorful life, he makes that very claim on "Something That I Do," a track where he brags of his ability to not let work get in the way of an otherwise pleasant afternoon.

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Townes Van Zandt: Facets, Faults & Fractures

It's 10 o'clock at night on an abandoned Music Row. The year is 1985. In a third-floor office in an old house that serves as the offices for the Oak Ridge Boys' Silverline/Goldline Music Publishing, Steve Earle brings the chair he's leaning back in down hard, flipping his hair out of his eyes for emphasis.

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Lyle Lovett: It Just Comes Natural

If the term "Americana" had not been coined, radio programmers, journalists and anyone else charged with sticking labels on music would still be pondering how to define Lyle Lovett's singular style.